![]() ![]() Jayleah Pletz, junior, Shillington, Pa., Governor Mifflin High School (24 at 100)ġ. Mikayla Garcia, freshman, Union City, Calif., James Logan High School (21 at 100)Ģ5. Jalen Bets, senior, Livermore, Calif., Granada High School (20 at 100)Ģ4. ![]() Hayley Snyder, sophomore, Vincent, Ohio, Warren Local High School (16 at 100)Ģ3. Isabella Morales, senior, Toppenish, Wash. Morgan Johnson, junior, Greeley, Colo., Loveland High School (14 at 100)Ģ1. Aspen Blasko, sophomore, Forest Lake Minn., Forest Lake High School (13 at 100)Ģ0. Riley Banyas, junior, Amherst, Ohio, Elyria High School (19 at 106)ġ9. ![]() Juliana Alejandro, junior, Las Vegas, Nevada, Centennial High School (12 at 100)ġ8. Osceola Kissimmee High School (7 at 100)ġ7. Erica Pastoriza, junior, Phoenix, Ariz., Raymond Kellis High School (10 at 100)ġ6. Mary Manis, freshman, Orlando, Fla., Lake Highland Prep (NR)ġ5. Valerie Solorio, sophomore, Panama City, Fla., Arnold High School (17 at 100)ġ4. Olivia DeGeorgio, senior, Conroe, Texas, Woodlands College Park High School (19 at 100)ġ3. Gigi Bragg, freshman, Anoka, Minn., Anoka High School (NR)ġ2. Madison Avila, senior, Madera, Calif., Los Banyos High School (6 at 100)ġ1. Gabriella Gomez, freshman, Carol Stream, Ill., Glenbard North High School (NR)ġ0. Angelina Cassioppi, freshman, Roscoe, Ill., Hononegah High School (23 at 100)ĩ. Makenzie Smith, sophomore, Dale, Ind., Heritage Hills High School (11 at 100Ĩ. Emilie Gonzalez, senior, Baldwin Park, Calif., Arroyo High School (3 at 100)ħ. Angie Dill, junior, Eagle Bridge, N.Y., Salem Cambridge High School (8 at 100)Ħ. Erin Hikiji, senior, Mililani, Hawaii, Mililani High School (5 at 100)ĥ. Ava Ward, freshman, Centralia, Mo., Centralia High School (1 at 100)ģ. Brianna Gonzalez, senior, Baldwin Park, Calif., Arroyo High School (2 at 100)Ģ. 20 at 112 pounds.ĭeveloped by National Wrestling Hall of Fame, USA Wrestling, and Flowrestlingġ. 11 at 138 pounds and Norwalk’s Cali Gilchrist, who is ranked No. Other top 25 wrestlers from Connecticut include eighth grade student Sarah Henckel from Rochambeau Middle School in Southbury, who is ranked No. 5 in the country at 152 pounds with Plainville’s Dakota Marie-Dinelli ranked No. Bristol Eastern junior Ella Nichols is ranked No. 4 at 127 pounds with Amity’s Camryn Brown ranked 21st in the same weight class. Junior Juliana Morris from Pomperaug in Southbury is ranked No. Six Connecticut girls are ranked in the top 25 of their respective weight classes in the November national girls wrestling high school rankings as developed by the National Wrestling Hall of Fame, USA Wrestling and FloWrestling. ![]()
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here.īelow, a clip from Ira Cohen’s The Invasion of the Thunderbolt Pagoda. #DOWNLOAD FILM THE VELVET UNDERGROUND FULL#Tonight, at Anthology Film Archives, as part of that exhibit, there will be a special screening of Ira Cohen’s powerfully strange lysergic druidic-hippie odyssey The Invasion of the Thunderbolt Pagoda with a soundtrack by MacLise.Īlso included in the line-up this evening is the premiere of the late Ira Cohen’s Heavy Canon (also with an Angus MacLise soundtrack), early 70s video work by Marty Topp and three films by Piero Heliczer.Įxclusive for Dangerous Minds readers, you can download the full unreleased soundtrack to Ira Cohen’s The Invasion of Thunderbolt Pagoda (as remastered by Tim Barnes in 2006) with music by Angus MacLise and the Universal Mutant Repertory Co. It has received mostly positive reviews from critics. #DOWNLOAD FILM THE VELVET UNDERGROUND MOVIE#I’ve been told the opening party was amazing, with Lou Reed and Genesis Breyer P-Orridge in attendance. The Velvet Underground is an Documentary Music movie that was released in 2021 and has a run time of. The Velvet Underground scores a 7.5 digit binge rating out of 10 and is a brilliant movie to watch in the Documentary and Dance and Music genres. It should have been a two-parter for streaming like last year's Laurel Canyon rather than trying to cram everything into a 2-hour theatrical feature.I blogged here on Tuesday about the amazing looking Angus MacLise show currently on display at the Boo-Hooray gallery space in New York City. Navigating through a treasure trove of performances, interviews, and experimental films, he tells a more or less chronological story about the band and its. The Velvet Underground explores the multiple threads that converged to bring together one of the most influential bands in rock and roll. With John Waters, Mary Woronov, Barbara Walters, Lou Reed. The visual style is effective, suits a prestige doc - but it's too niche and experimental as an intro to the band and too cursory for fans. The Velvet Underground: Directed by Todd Haynes. There were some really moving and interesting parts, especially about Cale and Reed's childhoods, reactions from audiences while on tour, East and West Coast rock rivalry, Nico's aspirations, and so on. Not even a nod to Candy's trans identity in "Candy Says." I could go on. Reed's sexuality is treated awkwardly, almost with embarrassment. No Laurie Anderson (she must have refused to participate but her absence is glaring). ![]() Directed with the period's progressive spirit by Todd Haynes, this kaleidoscopic oral history combines special interviews with dazzling historical footage. ![]() No mention at all of the Velvets' significance in Eastern Europe: and how that played into how they were received in the 90s right after the fall of the Berlin Wall. Experience the renowned rock band's legacy in the initial major docudrama to tell their story. The film also features rarely seen promo films. #DOWNLOAD FILM THE VELVET UNDERGROUND PROFESSIONAL#So unfair given that he was nothing but a professional and had a major part to play in two excellent albums that have a place in music history. interviews and private photographs of and with Lou Reed, Andy Warhol, Sterling Morrison and John Cale. Files for The Velvet Underground - The Velvet Underground & Nico (1967. Doug Yule is once again completely memory holed. An illustration of two cells of a film strip. Would have liked to see much more on the post-Cale albums (especially the 1969 self-titled) and on the reunion. (We believe in sharing and playing nicely with others.) Thank you for stopping by. I recommend Owen Gleiberman's review, which I agree with 100%: Īs a casual (far from hardcore) fan, I was quite disappointed in the coverage. YOU MAY DOWNLOAD ANY EPISODE AND KEEP IT WITHIN YOUR PERSONAL ARCHIVES. ![]() ![]() ![]() and New Brunswickbased Sea Watch Tours land on Machias Seal Island, and when tickets go on sale in January, both sell out fast. Puffin tour companies: Only Maine’s Bold Coast Charter Co. Ballpark cost: 160 for an on-island visit 40 for a cruise. There is also an additional charges for extra large, unusual, or heavy items. When to see puffins: Mid-May through mid-August. We are proud to be the only tour boat in Maine to offer a Puffin watch 7 days a week with National Audubon naturalists from. For extra pieces, there is a charge of $5.00 per item. Two pieces of luggage (50 pounds or less) are included in the price of each ticket. View the wild natural beauty of Downeast Maine islands and a working lighthouse that most people will never see. Parking is available at the dock in Port Clyde for $8.00 per day. Coastal Cruises of Jonesport offers chartered boat tours, taking you near islands, birds, marine wildlife, and Moose Peak Light. Whatever the occasion, a certificate for a trip on the Laura B or the Elizabeth Ann is the ideal gift for a friend who’s a regular passenger or someone who’s never traveled with us before.Ĭars may not be taken to Monhegan Island. You may pay by cash, money order, Mastercard or Visa. #PUFFIN CRUISE MAINE FULL#Payment in full is refundable (less a $5.00 per person deposit amount) provided you call at least 24 hours prior to your scheduled departure time.īuy Round Trip Tickets Buy One Way Tickets Methods of Payment Payment is transferable to another reservation date provided you phone at least 24 hours prior to your scheduled departure time. Located in Boothbay Harbor - If you are visiting Maine and want to see whales, puffins, or the sights, Capn Fish is the best way to experience the harbor. ![]() Passengers only – No cars on the island Sailing Time:Įlizabeth Ann – 55 minutes one way Reservations are strongly recommended for all departures Boarding time is 15 minutes prior to departuresĪdvance reservations are required and tickets will be held until ½ hour before the boat departure with full payment. Audubon naturalists accompany every Eastern Egg Rock. Nov though Dec runs Monday, Wednesday, Friday Another option for viewing Maines puffin colony is the Hardy Boat Cruises Puffin Tour near Bristol, Maine. ![]() ![]()
Players can go to classes to learn new spells to advance to new areas in Hogwarts. There are many areas to explore, including the Great Hall, the covered bridge, Gryffindor and Slytherin common rooms, the courtyard, the quidditch field, Hagrid's hut, and more. The Hogwarts castle from the game is notably the biggest LEGO video game environment ever created. This makes finding your partner much easier than a stationary horizontal or vertical dividing line. The new split-screen is a moving division on the screen in relation to where the characters are in the level. The game uses the new split-screen introduced in LEGO Indiana Jones 2: The Adventure Continues and is a co-op game, similar to all other Traveller's Tales LEGO video games. All Harry is able to do is smash objects by rolling into them until he learns his first spell at Hogwarts. In the first level, The Leaky Cauldron, Harry can't use magic yet because he doesn't have a wand but Hagrid can since he is an experienced wizard. The gameplay is similar to LEGO Indiana Jones. They have already published many LEGO games, including LEGO Batman: The Video Game, LEGO Battles, and LEGO Rock Band. Interactive Entertainment, which now owns Traveller's Tales, will be partly responsible for the distribution and publishing. The game is being published and distributed by Warner Bros. Traveller's Tales was responsible for the development of all four LEGO Star Wars games, two LEGO Indiana Jones games, and the LEGO Batman game. The game is being developed by the well-known LEGO game developers, Traveller's Tales and TT Fusion for the handheld versions. This video game is considered a revival of the Harry Potter franchise and more new sets have been released since. This caused many people to believe the LEGO Harry Potter franchise was over. No sets had been created for the most recent movie, the Half-Blood Prince. No sets were released for the theme since 2007, and only one set was released for the Order of the Phoenix. Since this game will feature the first four movies, all the sets already created could be implemented into the game. Before the game, sets of Harry Potter were released for the first four movies and one set came out to accompany the fifth movie. Also, some characters like Professor Flitwick, Oliver Wood, and Argus Filch were released in sets after the video game, and the minifigures drew inspiration from their animated counterparts. However, there are some minifigs that are essential to the storyline that have not been released in actual LEGO form, such as Petunia Dursley, Dudley Dursley, Percy Weasley, etc. At present there are four vignettes, including Year 1, Year 2, Year 3, and Year 4.īefore the Year 3 vignette, the first 2 minutes of cutscenes which involved Harry arriving at number 4 Privet Drive and him getting his letters to Hogwarts was released.įor the most part, the game features the minifigures from the Harry Potter sets. ![]() This trailer was one of the only sources of information about the game until a second trailer was released, which involved gameplay and more characters, including old characters like Professor McGonagall and Professor Quirrell "revived" with flesh skin. The game was admitted to be in the works by Traveler's Tales in 2009, when a Trailer was released at Nintendo's E3 conference.
![]() Though this phase of the project was completed in 2015, Al Tamimi reflects on how he could continue to document the same locations, which have since then been developed even further. Saleh Al Tamimi’s Only Time Could Tell is the product of three years of location research, recurring visits and permit approvals. ![]() The Emirati artist investigates the longest-standing studios, some set up in the late 1960s when the country was still part of the Trucial States, others in the early 1970s after the founding of the UAE. It uncovers the employment opportunities that became available in tandem with rapid development through the stories of the studio pioneers and their networks of friends, families and compatriots. Self-taught photographer and mixed media artist Ammar Al Attar chronicles the social history of the UAE and its relations with its neighbors across the ocean, mainly India, Iran, and Pakistan in his work Reverse Moments. Those people have been an integral part of the UAE journey and have contributed to the writing of its history Faisal Al Hassan, Head of Warehouse421īetween a history to be retold and the pointed revisionism of the works presented, this exhibition points to the ongoing production of a composite archive. We are also in conversation with cultural institutions across the UAE to make the exhibition a traveling show in an opportunity to engage with people who came to this land, created their own families, and built a life for themselves. This is a very exciting exhibition as it does not only offer the community a glimpse into the history of the UAE as we celebrate the Year of the 50th, but it also allows those who found in the UAE home to be part of its narrative and to tell its story through their archives of photographs, texts, and objects. The project also announces an Open Call to the community to submit archival material of the UAE to be part of the exhibition from 30 November 2021 to 2 January 2022. ![]() #GULF PHOTO PLUS PLUS#The exhibition will debut in Gulf Photo Plus (GPP) from 8 December 2021 until 15 January 2022, will feature archival images, photographs, text, and audio works that suspend a social history shared between migrant communities to the UAE and their role in rooting its contemporary visual culture through the works of various UAE-born and based artists including Ammar Al Attar, Bhoomika Ghaghada, and Saleh Al Tamimi. Warehouse421, the home-grown arts and design center dedicated to showcasing and nurturing creative production across the region, in collaboration with Gulf Photo Plus (GPP), Dubai’s center for photography, announces “Past, Borrowed” exhibition, curated around the theme of Year of the 50 th and UAE National Day. ![]() ![]() ![]() With lines such as, “I wanna see you holding out your light/ I wanna see you light the way/ But whether everything will be alright/ It’s just a little soon to say,” Browne’s sorrows are placed alongside a strange sense of hopefulness. ![]() Accompanying the single is an incredible music video where tens of medical students gather around Browne’s body to examine his transplant, and a cannibalistic Phoebe Bridgers consumes Browne’s old heart.Īnother highlight off the record is “A Little Soon to Say,” where Browne’s vocals and lyrical skills take center stage. ![]() Singing, “They never break/ They don’t even beat/ And they don’t ache/ They just plug in and shine,” Browne is able to pair the reality of his own emotional turmoil with a surreal anecdote about a fictitious medical device. On “My Cleveland Heart,” Browne writes of heartbreak and the need for life changes, all while describing his acquisition of a futuristic, metallic heart implant. The album shines in its tracks that allow Browne to put his creative songwriting style to work. Assuming a minimalistic production style and relying almost entirely upon a four-piece band and Browne’s powerful vocals, the album is filled with easy to listen to songs and mostly avoids the cringiness of current albums by many of his peers working today. Browne struts his incredible lyricism and even more impressive vocals throughout the majority of the track list, all while proving that one can create half a century’s worth of music while staying in touch with the times. As with Ringo Starr’s Zoom In - or just about any post-2000s album produced by a baby boomer for that matter - a new album from Jackson Browne could easily be expected to feel out of touch with the current musical ecosystem and steeped in disingenuous nostalgia.ĭownhill From Everywhere occasionally falls into this almost inescapable storyline, but it is by no means engulfed by it. So, when Jackson Browne announced the release of his new LP Downhill From Everywhere, expectations weren’t necessarily through the roof. Nowadays, when a rock musician from the early ’70s announces a new album, an eye roll is often deemed acceptable, if not necessary. ![]() ![]() ![]() Geometric distortion is moderate for a lens of this type, at 0.5% barrel. The good news is that the average CA holds more or less constant, indicating that the increase happens only around the edges. Chromatic aberration is relatively low at larger apertures but maximum CA increases gradually from f/2.8 to f/8. Shading (light falloff in the corners of the frame, more commonly known as "vignetting") is moderate (about a half a stop) wide open, and decreases in a more or less straight line until hitting a minimum of 0.13 EV at f/8 and beyond. Diffraction limiting starts to set in at about f/11, but even at f/16, the overall image is still reasonably crisp. This trend continues to f/2.8 and f/4, although the corners never get quite as sharp as the center (although they get pretty darn close at f/8. ![]() ![]() (More on this later.) Wide open, it has the softness in the corners that you'd expect, while its center sharpness is good (if not excellent.) As you stop down, more of the frame gets sharper: At f/2 there's a modest-sized sweet spot in the center of the frame, and the worst of the softness in the corners has been mitigated. That said though, it does deliver very good performance and build quality at a very affordable price: No other lens currently on the market really delivers the bang for the buck that this one does at its price point. Optically, the Sigma 30mm f/1.4 EX DC HSM performs quite well, albeit not quite up to the level we'd been expecting. (Almost a bit too much so, it's much stiffer than we're accustomed to.) In autofocus mode, it seemed middling fast on our Canon 20D test body, but definitely not as fast as some other lenses we've tested. #SIGMA 35MM 1.4 CANON MANUAL#Despite only covering an APS-C sized image area (you can't use it on a full-frame or 35mm camera), it's a hefty hunk of glass, structural plastic, and metal, and its manual focus ring has a particularly solid feel to it. (Note though, that I didn't say low light and critical shooting.) To all appearances, Sigma succeeded in their goals for it, as the lens conveys a sense of quality and solid construction. This isn't meant to be a throwaway cheapie like the plastic fantastic 50mm lenses found at the bottom of most camera company's lines, but rather a high-quality, fast lens suited for critical shooting or low light photography. All that being a long way of saying "normal". On cameras with a 1.6x crop factor (the lower end of Canon's DSLR line) it translates to a 35mm equivalent focal length of 48mm, on a 1.5x camera (Nikon, Pentax, and Sony models) it's the equivalent of a 45mm optic, and on a 4/3 camera (Olympus and Panasonic), it has the same field of view as a 60mm lens on a 35mm film camera. This is a high-quality lens (hence the "EX" in Sigma's designation) meant to provide a "normal" field of view on a sub-frame camera. It's just this consideration that prompted Sigma to develop the 30mm f/1.4 EX DC HSM lens that's the subject of this test report. ![]() With the mass move to sub-frame digital SLRs, a "normal" lens should now be something closer to 30mm, so there's a need for fast (large aperture), high-quality 30mm lenses to fill the same role as did the 50mm optics of yore. Actually though, the true definition of "normal" holds that the focal length should equal the length of the frame's diagonal, which would put "normal" at something closer to 43mm. In the 35mm film world, a "normal" focal length (that is, one which is neither wide angle nor telephoto) has always been considered to be 50mm. ![]() ![]() ![]()
Apps such as NASA World Wind, Marble, and Flash Earth do a similar job. Google Earth is a great application, but it's not the only one of its kind.This would be work fine with compatible version of windows.Google Earth Pro gives advanced business tools in addition to all the easy-to-use features and imagery of Google Earth. ![]() This is complete offline installer and standalone setup for Google Earth Pro 7. Free DownloadĬlick on below button to start Google Earth Pro 7. Having problems installing this software? You can always get help from our video tutorial guides. DOWNLOAD GOOGLE EARTH PRO FOR MAC HOW TOHow to install this software without errors video tutorial guide Open Installer and accept the terms and then install program. DOWNLOAD GOOGLE EARTH PRO FOR MAC ZIP FILEExtract the zip file using WinRAR or WinZip or by default Windows command.Compatibility Architecture: 64Bit (圆4) 32Bit (x86). DOWNLOAD GOOGLE EARTH PRO FOR MAC FULL
![]() USED products: 4% of the current new selling price to increase the warranty from 3 months to 1 year.NEW products: 4% of the current new selling price to double the warranty from 1 year to 2 years.If you are interested in receiving this coverage for longer than one year, you have the option of purchasing additional years of the Performance Warranty. Customers interested in more complete and convenient (but not necessarily longer) coverage are still able to purchase additional years of the Performance Warranty. Some manufacturers provide warranties for longer than 1 year however, these are usually limited warranties that do not provide the same coverage as the Long & McQuade Performance Warranty. Commercial Use Coverage: Music and recording professionals who purchase gear for “heavy-use” commercial purposes will still be covered.Accessory Coverage: Any peripheral devices or accessories that come with your product (i.e.Power Surge Protection: Your product is covered even if damaged from a power surge.Loaners Available: A loaner product may be given while the product is being repaired. ![]() #Red swan ukulele free#
![]() Professor of Sanskrit in the University of Cambridge, Late Fellow of Worcester College, Oxford. In King's College, London, and Cha^ain of DulwichĬollege formerly Fellow of Christ's College,Ĭ. Mary's Cathedral, Edinburgh Īrchdeacon of South wark Professor of Bistoral Theology ![]() JoHH Gibson Cazenove, D.D., F.R.S.E.,Ĭanon and Chancellor of St. Of Lincoln's Inn Regius Professor of Civil Law in the Of Lincoln's Inn Chanoellor of the Diocese of Ely. Ant.') Vicar of Pevensey, and Prebendary of Chicihester Cathedral. Btog.) Ftdlow of King's Goll^^ Cambridge Librarian of theĬanon of Christ Churoh, Oxford Be^us Professor ofĮcclesiastical History in the UnivOTsity of Oxford. Aat.) Secretary of the Palestine Exploration Fond late ScholarĬ. Principal of King's College, London, and Canon ofĮ. Vioar of Pittington, Durham formerly Fellow of Mag-ĭalen Coll^, Oxford, and Frinoipal of Bishop Hbsbt Thomas Arhfikld, M.A., F.S.A.«īector of Colne-Engainet Essex late Yioe-Frinoipal of ![]() Mabshah Frederick Arolbs, M.A.,įellow of St. Late Professor of Juri^rudence in TTniTersity Ooll^, IN THE DIOnOSTABIES OF GHBISTIAN ANTIQTHTIESĪ.H.D.A. #Lingon acu trainer full#You can search through the full text of this book on the webĪ OOynMUATION or 'the DICnONABT or TH£ BIBIX'įUnMOB tft HBtDUL IBKOMT I> XDM^ COUMI, UWWnr.Ī DICTIONAET OP CHRISTIAN BIOGRAPHY, LITERA. Google Book Search helps readersĭiscover the world's books while helping authors and publishers reach new audiences. Google's mission is to organize the world's information and to make it universally accessible and useful. Copyright infringement liability can be quite severe. Please do not assume that a book's appearance in Google Book Search means it can be used in any mannerĪnywhere in the world. Whether a book is still in copyright varies from country to country, and we can't offer guidance on whether any specific use ofĪny specific book is allowed. Do not assume that justīecause we believe a book is in the public domain for users in the United States, that the work is also in the public domain for users in otherĬountries. + Keep it legal Whatever your use, remember that you are responsible for ensuring that what you are doing is legal. + Maintain attribution The Google "watermark" you see on each file is essential for informing people about this project and helping them findĪdditional materials thi'ough Google Book Search. Use of public domain materials for these purposes and may be able to help. Translation, optical character recognition or other areas where access to a large amount of text is helpful, please contact us. + Refrain from automated querying Do not send automated queries of any sort to Google's system: If you are conducting research on machine + Make non-commercial use of The files We designed Google Book Search for use by individuals, and we request that you use these files for ![]() Prevent abuse by commercial parties, including placing technical restrictions on automated querying. Nevertheless, this work is expensive, so in order to keep providing this resource, we have taken steps to ![]() Public and we are merely their custodians. Google is proud to partner with libraries to digitize public domain materials and make them widely accessible. Publisher to a library and finally to you. Marks, notations and other marginalia present in the original volume will appear in this file - a reminder of this book's long journey from the Public domain booksĪre our gateways to the past, representing a wealth of history, culture and knowledge that's often difficult to discover. Whether a book is in the public domain may vary country to country. To copyright or whose legal copyright tenn has expired. A public domain book is one that was never subject It has survived long enough for the copyright to expire and the book to enter the public domain. To make the world's books discoverable online. This is a digital copy of a book that was preserved for generations on Hbrary shelves before it was carefully scanned by Google as part of a project Full text of " A dictionary of Christian antiquities, comprising the history, institutions & antiquities of the Christian church from the time of the apostles to the age of Charlemagne. ![]() |
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